It doesn’t have to make sense.
Trust your senses. If you seem to see something but you don’t know what it is take the shot. That is how this shot came about.
I can’t explain why this shot works. But it does.
Trust your eye.
Sometimes you just need a tripod and don’t have one. Other times you need two tripods and you only have one. This photo relates to the former. I am currently experiencing the latter.
Here’s the thing. Are you going to let life stop you just because you don’t have an 800WS monolight, or an 85mm f1.4 lens, or the latest super camera body? Good tools can certainly make the work easier and give better results than poor ones when skillfully and artfully used but even bad tools are better than no tools and you may be surprised at what you can build for yourself if you think through your exact requirements.
As I write this I am timing an eight minute exposure. I’ve taken a few frames tonight with the Crown and I like the way it looks out there on the balcony with the lights behind but, of course, it only looks like that on its tripod. What is the Retinette supposed to stand on to get the right angle? Why, my makeshift tripod. Here’s the bill of materials:
To assemble, simply stack all of the parts with the highest number at the bottom and the camera resting on top.
Now this is certainly not the finest tripod known to man. In fact, I won’t be surprised if I later find out that it shifted at some time during those eight minutes and ruined my shot. However, neither was the roof of someone’s Jeep a perfect tripod either. But without it, I would not have the picture you see above. If you later see the picture I made tonight then you might want to remember this emergency tripod recipe!
Postscript: it worked! The result is here:
Ah, the magic of urban long exposures!
As I sit here in my San Francisco hotel room I really need to get to bed but the travel half way around the world seems to have whacked my body clock. So I’m exposing.
I made a very conscious decision on this trip that I didn’t want to be wasting my time getting sucked into “tourist snapping”. No digital, no 35mm SLR. I took only the Crown Graphic to force myself to be selective and not be tempted into any “casual” photography.
Large format is not casual.
However, I did want something carryable so I also took along my Grandfather’s old tourist camera from the 1950s — his Kodak Retinette. No exposure meter, no rangefinder for focus. Just a peephole for framing.
It is so freeing.
I’ve just taken two shots off the balcony at f11 and two minutes. Well, two minutes felt right. That should be about EV0. Assuming that there is iso100 film loaded in that camera. I’m actually not sure. Just did this last one about four minutes twenty. It should fill in the shadows a little more.
Now I’m off to try to sleep. I won’t see anything that I’ve taken until I get back. Maybe even some time after I get back depending how busy I am. I know I’ll have some thick tasty negatives to work with at some point. And that is good enough for me.